With most of the blogs we have been following over the course of the last ten years stuck on their last post without much reason left to believe more is still to come and some of them even completely dead and buried for ever (or evolved into much bigger content producers/magazines of course), luckily there are still a few people out there sharing what they admire through an individually curated filter. One of those places we have been visiting regularly for over five years that remains to be (relatively) active is Dave Smith's This Is Collate, where he has been sharing his personal favorites for years: creations ranging from graphic design, art, fashion, music and photography projects.

Last week, Smith shared a true gem in the last category — shot by his friend Christopher Martin (opposite page), when they both visited Japan in March, which we feel deserves to be seen by as many people as possible. Named 'Undercover Japan'  (the series by Martin has little to do with Jun Takahashi's namesake fashion label although we feel the isolated aesthetic would speak to the punk avant-garde designer) the observations through the lens of the Belfast-based photographer form an extraordinary photographic series, portraying the many car- and motorcycle-covers to be observed all over Tokyo and Kyoto. Intriguingly serene, yet also evoking a feeling of covered up secrets, for us the series represents certain important elements that make up Japan, next to being just incredibly aesthetic captions of the country that has no equal.  [ Continue reading ]

Another year, another inspirational Done to Death Projects publication by cultural tastemaker Chris Black, who for the first time collaborated with none less than the very talented Eric Chakeen. After assisting the three legendary New York photographers Terry Richardson, Dan Martensen and Ryan McGinley, Eric Chakeen was ready to produce his own work, which he has been doing in the last decade with great vigour — working on a long list of commissions with big names in fashion and pop culture, but also creating free projects of which the new publication is an excellent example. For the series named 'And Away They Go', Chakeen roamed around the racetrack of his hometown in the suburbs of San Diego; Del Mar. It resulted in a beautiful collection of striking photographs, documenting a subtly disquieting space, with everyone in this world apparently lost in a paradise of nostalgia. Both having a cinematic quality as much as the images being raw in your face observations, the series continues to captivate us profoundly, forming another incredible addition to Chris' Done to Death Projects catalogue. [ Continue reading ]

Last month marked the release of already the ninth issue of the inspirational The Plant Journal. Full of flowers this time around, it honors one in particular — not the most trendy flower, but definitely a classic of some sort; the geranium. Seamlessly fitting the changing weather of the last weeks (at least in The Netherlands and Belgium), the magazine celebrates the summer, which for instance also perfectly matches life like artist Roberto Burle Marx, one of the protagonists of the issue. Legendary German illustrator and artist Tomi Ungerer shares his beloved piece of land in Ireland while Elein Fleiss shows her knowledge on herbs and Antoni Arola details his passion for seeds. Kuba Ryniewicz focusses on Conrwall’s mighty marine flora, Mark Borthwick the lush of Jamaica. Formafantasma and Ethel Baraona meditate about the meaning of borders and Mercedes Villalba explores desire paths. Furthermore, one learns about the linen process, how to preserve dandelions into paperweights and the tastiest ice-cream recipes by Kitty Travers.

In all, the new inspirational issue is packed with some of the most beautiful flowers one finds on this earth, captured by talented people like Brian Kanagaki, the always great Scheltens & Abbesses and one of our favorite photographers around; Yoshinori Mizutani, who captured the park life in London like only he can, as is also portrayed on maybe the most beautiful cover created for the magazine. Yet, there is one series, even above Mizutani's, which is our clear favorite, coming from two Belgian inspirators in their particular field: the collaboration between photographer Frederik Vercruysse, who teamed up with stylist Clarisse Demory and no less than flower grandmaster Mark Colle, for a series of bouquets in which they honor six deceased pop cultural icons (Whitney Houston, Kurt Cobain, Michael Jackson. Minnie Riperton, Nina Simone and David Bowie) in bespoke arrangements and settings created for these individuals.  [ Continue reading ]

More than two years ago we wrote about a new Jungles in Paris story which took the reader on an insightful trip to the West African country of Senegal. As in most Sub-Saharan African countries football is the clear favorite sport there, but an indigenous sport that has existed for centuries is traditional wrestling named Laamb in Wolof. It is one of the sports in which the young men engage on the famous 'Plage de Fann' beach in Dakar, which was singled out in the beautiful story. Since ancient times Senegalese wrestlers competed before the king and queen in village squares. Singers, dancers, and storytellers embellished the match. Wrestlers wore amulets to ward off evil spirits and black magic from their opponents. Nowadays, the tradition remains strong. As in former times, griots praise the victors in song and dance.

The contemporary champions of the traditional wrestling sports are celebrities in Senegal, with fighters such as Yékini (Yakhya Diop), Tyson (Mohamed Ndao), and Bombardier (Serigne Ousmane Dia) the best known. Today we want to take another look at the beautiful sport, this time through the lens of French photographer Laurent Laporte who shot a series on one of his many travels named after the famous wrestler: 'Bombardier'. Young Senegalese boys, who meet each other on beaches like Plage de Fann, dreaming to become as big as 'the bomber' — caught remarkably by Laporte who made the series half duotone and half color. Finding remarkable frames which represent both the sport and the country in a unique and exciting way.  [ Continue reading ]

Although in recent years they have become a household name in fashion photography through their ongoing work relationship with it-brand Mansur Gavriel (and strong visability throughout downtown New York City) and work for numerous fashion magazines, we haven't shared the work of Ukrainian twin sisters Tanya and Zhenya Posternak here before. Known for the so called 'Posternak crop' —staying as close to the essence of their subject which often-times results in a rather unusual yet elegant focus— their style can be described best as minimalist, colorful, never failing to be striking and full of charisma, regardless if an actual human being or just an object is in front of the camera. Flicking through the catalogue they have shared over the course of the last few years: ranging from assignments, the captures from their travels on their blog and all the images they have shared on their instagrams — one can only conclude that the Posternaks make it look so effortless to capture the available essence of what characterizes someone or -thing in front of their lens. We know that isn't true and it's simply their unique perspective on the world around us. Almost like an elegant form of camouflage (reminding strongly of Robby Müller's camerawork) the twins create imagery which is unique without losing a sense of universally appealing emotions to be observed in all of their work, both on commissions and free work. We can't get enough of it...
We are deeply moved by human imperfections, whether it be a birthmark or facial hair. With our photography we aim to get closer both to the subject and the viewer. Frankly, we don’t follow any brand’s guidelines other than curiosity for all things beautiful and woolly. [ Continue reading ]

Recently we encountered the new series by Vienna-based photographer and director of photography Wolfgang Lehrner named 'Metro / Polis', for which the artists— following his series shot in Moscow named 'WELT / RAUM'— travelled to city of Athens. The remarkable new series is divided into six different chapters for each element of the city as observed through the camera, for which Lehrner created a dedicated online environment to portray his unique complete vision of the city that holds the cradle of democracy, science and occidental philosophy, and for a couple of years now once again has become a focal point – albeit for European crisis and criticism. As portrayed in the immaculate, often-times isolated frames, Athens appears as a city in decay in which concrete has grown uncontrollably, which now waits to slowly rot away. People play the supporting role in this theatre of concrete, as if Lehrner wants to say that those who once decided to form the face of this city, now a days don't differentiate between buildings and those living it it. Not more then playthings in the grande scheme of bigger political decisions, which therewith remarkably summarizes in what wicked narrative the people of Athens, those who walk the actual concrete streets to go to there work, home or elsewhere, find themselves in because of the policies made by others above them, right where Lehrner's camera is positioned. Looking down on the concrete and the people, showing a side of Athens which is both beautiful and sad, reminding of a classical Greek melodrama.
City is a concurrence of the other and the own, difference and sameness, unity and diversity. These components lay the foundations for thought, discussion and resistance. The city is a moving home, a safe haven in foreign parts. [ Continue reading ]

Sometimes a photographic series perfectly touches on the field that's in between (and overlays) the staged and documentary, creating a complete compelling narrative which transcends the imagery. More than just being individual photographs with the quality of a verb, the combination of the imagery brings a story to life, taking the mind of the spectator into the head of the photographer at the moments when he captured what he saw. Without forcing any reading of meaning onto the spectator. Generally speaking we tend to prefer abstract (landscape) photography within this particular genre. Photographers finding beauty in the ordinary or not so ordinary, which apparently for us seems to be more often non-human (whatever that really means). After 'Tranquility', which we shared earlier, another series with a prominent place for people has become an instant favorite of ours. 'Moroccan Youth' masterfully combines both portrait and landscape photography and keeps fascinating us deeply since the moment we first laid eyes on it.

Paris-based photographer Ilyes Griyeb released the series of his remarkable observations in a nondescript Moroccan town last year, but we discovered it only recently. In all of the photographs there's that sense of hope combined with sadness — a gaze away from the lens, or on the contrary straight into it. A pair of stripped carseats in the sun, a roof filled with numerous satellite dishes bringing in television programmes from all over the world. Even the people who are actually smiling, raise the question in our heads if these young people actually want to be where they are? Are they dreaming of wearing their Louis Vuitton in the place where it originated, riding their dirt bike in a place where it's less dusty, visiting the city where Ilyes himself came from to capture them. Or is that really just our neocolonial conditioning and are they actually happy being the cool kids where they are? Every time the images tell the story different, without it becoming boring. It has captivated us from the moment we laid eyes on these images and will continue to do so. [ Continue reading ]

Two weeks ago Amsterdam-based museum Foam presented the first international exhibition of probably one of the most exciting talents on the rise in photography: Jack Davison. We first discovered his work last year when he joined renown agency mini title and through his inspirational collaboration with another great talent from England, artist Joe Cruz, which to our excitement was given a follow up some weeks ago. It is very thrilling to see this first step in a growing international recognition of Davison's great talent, who without a doubt is destined to become a leading name in photography in the years to come. Davison's work shows a diverse range of inspirations that he derived from the historical canon of photography—from Salvador Dali and August Sander, the Flickr community and the Internet in general, to Mark Michaelson’s infamous book, 'Least Wanted: A Century of American Mugshots', next to iconic imagemakers like Richard Avedon, Ernst Hass, Saul Leiter, Irving Penn, and Edward Weston.

As Foam has previously shown the work of many of the icons that inspired him, for the exhibition Davison is moving back and forth between photography’s past and present is an intriguing addition to the context of the photography museum. What you see in the exhibition is that Davison effortlessly employs and appropriates different genres and styles in what seems to be an endless stream of visual consciousness. In our eyes therewith young Davison forms a great hope for a world flooded with mediocre imagery, having grown up right in the middle of this ecosystem, transcending it by looking beyond just Instagram to all the iconic imagemakers of the past and bringing a new excellence into the digital age. Make sure to see the exhibition when in Amsterdam and follow this young photographer, who we believe will become an iconic imagemaker himself in the (near?) future. [ Continue reading ]

Two weeks ago a new show by the very talented Vincent Fournier named 'Brasília' opened in one our favorites of Amsterdam: The Ravestijn Gallery. After his super inspirational series 'Post Natural History' was on display in Amsterdam in 2014, the French photographic artist returns with a series taken from a totally different perspective and taken in a dissimilar arena. As the name of the exhibition suggest, the series focusses on the Brazilian capital Brasília, which is a one of a kind city composed of reinforced concrete, a paragon of the tenets of modernist architecture and city planning. Enfolded by the artificial Paranoá Lake, the city fashions a curious structural plane; a grid-like formula of post- war modernism arranged into a light curve. Brasília was constructed in the late 50’s from scratch according to the blueprints by the urban planner Lucío Costa, landscape designer Roberto Burle Marx and the architect Oscar Niemeyer. The three designers proposed a set of speculative opportunities for the future of architectural utopia; future, that some sixty years later has lost itself somewhere in the murky water between the past and present. A far cry from the buzzing city streets of Rio and São Paulo, Brasília is a plateau mostly of purpose-built bureaucratic and governmental settings. The austerity of modernist architecture lends itself to Vincent Fournier’s photography series that bear the name of the concrete capital. The result is a aesthetically captivating, perfectly stylized and emotionally haunting series, feeling like stills from a David Lynch film, showing the artificial city from a remarkably constructed perspective. Make sure to see it when in Amsterdam before the 28th of May! [ Continue reading ]

Released as a publication in 2014 by publisher Lecturis, Finnish photographer Heikki Kaski's incredible 'Tranquility' series continues to travel the world. Last week the series came from Brussels to London as part of the Foam Talent exhibition at Beaconsfield Gallery, and subsequently it will find its way to Riga. No suprise there by the way, as it is still some of our favorite photographic work which we've encountered recently, moving between the fields of documentary and landscape photography, full of mysticism and narrative, in line with names like Wim Wenders and Todd Hido. The story of the series revolves around its slightly captious moniker: the Californian town of Tranquility, which Kaski visited repeatedly over the course of one and half year. The town exists on a new kind of frontier, which is geographical, but also historical, marking the seeming obsolescence of established forms of production and social organization. Heikki Kaski’s pictures of the town and its inhabitants are a fractured series of reflections on a landscape that seems to have outlived its own history. He does not offer a factual narrative about the specifics of this place, which is treated instead as the archetype of a particular situation, joining subjective experience to economic realities. This is an acknowledgement of the fundamental link that exists between the social order and the lives of those who exist within it. Kaski creates a distinct, palpably uneasy atmosphere, marked by the use of several, and often clashing, visual strategies to demonstrate the unresolved tensions that have come to define not only the place itself, but also evoke the inner lives of those people who call it home. [ Continue reading ]

Last month, Chiara Padovan and Thomas Sing introduced their beautiful Models in the Raw project to us, which proved a great discovery. The beautiful on-going photographic series by the Berlin-based duo was born out of their desire for realness, simplicity and authenticity. It chases a glimpse beneath the surface of glossy imagery by portraying those who bring a whole industry to life by lending it their faces: the models. The girls who usually are the passive player in the industry are handed back the choice of their own presentation including the clothes and the place they would like to be photographed in, been only asked to - speaking in Kurt Cobain's word - come as they are. The portraits are shot on film for an increased raw reality effect and accompanied by a personal, tailored interview based on the conversation during the session. We love the approach of Padovan and Sing, but most of all value the body of work they have created so far, showing their great eye to capture these interesting faces in a most sincere way. [ Continue reading ]

We discovered the Antwerp-based IBASHO gallery as one of the exhibitors of last year's Unseen Photo Fair. During the long weekend in Amsterdam, amongst other work, it showed the incredible 'Tokyo Parrots' series by the very talented Japanese photographer Yoshinori Mizutani, which we were very happy to see in real life for the first time and formed one of the undisputed highlights of the whole festival for us. IBASHO specializes in contemporary photography and next to Mizutani has some very talented photographers in its roster. Despite the other talent Yoshinori Mizutani remains our favorite and on the 7th of April the gallery presents the second solo exhibition of the young Japanese artist. After the successful pop-up show in 2015 at Graanmarkt 13, the work of Mizutani will return in Antwerp with a solo exhibition in the gallery. The exhibition combines images from his earlier popular series 'Tokyo Parrots' and 'Yusurika' with two new series, 'Sakura' and 'Kawau'. In 'Sakura', inspiration of  the name of this particular show, Mizutani shows us an unusual and mesmerizing view on one of Japans icons, the cherry blossom. The abstract and graphic black and white photography of the 'Kawau '- Japanese for the cormorant bird - is Mizutani’s second exploration of birds in an urban environment, and forms the perfect grainy black and white counterpart of the pastel colored 'Tokyo Parrots'. We can't wait for this incredible showcase of Mizutani's talent. [ Continue reading ]

Recently the promising 'Nowhere Like Home' project by Norwegian Design Academy Eindhoven student Jonas Ersland was brought to our attention. The on-going photographic series started one and a half years ago on a little island in the very south of Norway. There, Ersland found himself back on the place where he had spent every summer since his childhood, after having lived a year abroad in Eindhoven for his studies. For the first time in his life he realized how familiar this place was to him. Every tree, every little street, all the elements you take for granted when you know a place from the inside spoke to him through their ingrained shapes and forms. To catch this exact sentiment, Ersland decided he needed to document his surroundings, imagining what it would look like to someone from the outside. After the first series, taken in the Southern Norwegian town Mandal, he continued making these monthly series from different places, trying to observe each place as an old friend, but from the perspective of an outsider, which at this point the spectator all over Europe: from his current hometown Eindhoven to Paris, different places in Norway, Milan and New York City. In his imagery Ersland seems to be clearly influenced by the impactful isolated imagery of names like Daniel Everett and Adrià Cañameras, but he proves to be of value in the genre with his unique qualities both through his personal aesthetic vision and the accompanying narrative forming the motif of the series. We look forward to more in this project by the talented photographer. [ Continue reading ]

The very talented Dutch photographer Robin de Puy set off across the United States in May 2015 in search for peace of mind. Her most vital equipment was in her saddlebags: a couple of lamps, two cameras and a lighting umbrella. She followed no set route but toured the country looking for distinctive faces to photograph – people of all ages and both sexes whom she just happened to meet on her travels. She specifically did not want to record social contrasts or the antithesis between urban America and the country’s endless empty spaces. The result is an incredible series of portraits, reminding of Robert Frank and Richard Avedon, which will be presented by the Hague Museum of Photography in the photographer’s first ever solo show in a museum setting. The exhibition with the title 'If this is true… 8,000 Miles on a Motorcycle in the USA' will open for the public on the 19th of March. De Puy's remarkable talent and eye for detail is undisputed by now, but the American arena and setting clearly inspired the photographer to take some of her most compelling images till date. Don't miss this remarkble exhibition.  [ Continue reading ]

We first encountered the remarkable work of photographer (and painter) Lorena Lohr last year, when she released the third self-published photographic book of her travels throughout the United States named 'Western Nights'. Before that she had already released 'Palm Desert', published in 2011 and 'Desert Sands' a year later. This month, Lohr returns with another inspirational chapter of her on-going personal love affair between traveling and photography. It is clear that the photographer can't get enough of her journeys by Greyhound bus, train and on foot, taking herself throughout the Southwest, the West Coast and the Gulf of Mexico. We on the other hand continue to be intrigued by the isolated imagery it inspires her to take, ranging from deserted diner kitchen, unkept garden, empty pools and neon signs. Although the images clearly evoke some sense of sadness and the feeling of former glory, mostly excluding humans in the frames, the color palette reminds of the seventies and is inherently attractive, making the images bittersweet in the truest sense of the word.  [ Continue reading ]

Always looking for photography with the quality of a verb rather than a noun (in the inspirational words of Gus Powell), we recently encountered another great series of work. Greek photographer Marinos Tsagkarakis started his series 'Paradise Inn' in 2012, aiming to portray the (horrible) consequences of the massive and uncontrolled tourist development which has taken place in the last few decades throughout the Mediterranean, including his home Greece. The ruthless industry drastically intrudes the land, transforming whole coastal areas into generic paradises, designed to recreate the average man on holiday. Literarily just during that period of time, as the rest of the year these areas stay abandoned, losing its thin layer of camouflage in the form of happy holidayers and showing its true colors of intense ugliness. The images of Tsagkarakis show the cheap fundament on which the tourist industry is built, forming a sad but beautiful testament of how some people have lost the true meaning of the word 'paradise'. [ Continue reading ]

We continue to stay in Japan, bringing you another Japanese artist whose exceptional work we recently discovered - in this case through a feature by the always inspirational Phases Magazine. Although the excellently curated platform almost always succeeds in curating captivating imagemakers, the work of photographic artist Yuichiro Higashiji stands out in the most subtle way possible. Reminding us strongly of the work of another photographic imagemaker which we hold in the highest esteem; Adam Jeppesen, the Japanese photographer's works from the principle of reproducing his images to the point of fading. In this proces a fascinating dynamic is instilled through which his - in the case of his 'Everybody Knows, Nobody Knows' series - grainy black and white representations come to life and fade away, almost mimicking the way affect and memory are sometimes stimulated in the brain. As a result the series of images by Higashiji become their own profound kind of projection on anyone who takes the time to really indulge in the images. [ Continue reading ]

Here's something to look forward to in the fast approaching new year. Amsterdam-based The Ravestijn Gallery will start 2016 tremendously with the show named 'The Magic Tree' featuring work by Dutch photographer Marie-José Jongerius, opening on the 15th of January. The story of the show starts all the way back in 1999, when Jongerius left for Los Angeles with the mission to photograph writers, actors and directors. With each car ride to a new photoshoot her fascination grew with the relentless attempt by the Americans to control this Californian landscape. For over ten years she has photographed places where human imagination and the force of nature interact, from artificial lakes to the edge of the advancing desert, of which an incredible selection is shown in Amsterdam. Her images of the isolated - sometimes freely in nature, sometimes peeking out of their man-made cages - are both mysterious and highly aesthetic, making 'The Magic Tree' a must visit next month. [ Continue reading ]

Brought to our attention last month by Nowness, we are smitten by the incredible photographic series and accompanying video named 'Blast' in which visionary photographer Jim Mangan has caught rally car driver Ken Block sublimely. In August 2013, Mangan asked his friend Block to demonstrate his skills at the wheel for a photo project. His idea was to photograph clouds of dust in mountainous southern Utah a rugged desert area he’d explored dozens of times while camping and mountain biking and the kind of arena where the photographer has proven to produce his most remarkable images. To achieve his vision of hybridizing landscape and machine, Mangan needed someone with the daring and a car with the power to wreak havoc on the remote landscape and send trailing puffs of dirt into the air. The two finally got together last year for several days of shooting in the valleys extending some 74 miles between Capitol Reef National Park and Goblin Valley, Utah. The results are incredible. [ Continue reading ]

The fascinating photographs of Petros Koublis are like portals into another dimension. His latest series named 'In Dreams' is based on the photographer's extensive research in the writings of the Neoplatonic school and the ‘Oneirokritika’ treatise by Ancient Greek diviner Artemidorus Daldianus, inspiring him to capture divine landscapes made out of nature's utmost beauty - whether that are sedimentary rocks, colorful flora or some of the most mythical fauna to be found on earth. Always evoking the feeling of another universe to be discovered beyond that single frame. With his images - which were all shot in Greece itself - Koublis searches to bypass the mind and trigger ones intuition in order to "release the perceiving force of our senses."  We can't stop gazing at these extraordinary photographs. [ Continue reading ]

The truly stunning 'Color Photographs' exhibition with incredible new work by Japanese artist Daisuke Yokota formed his highly anticipated debut in the United States, which opened for the public last September. Celebrated internationally for his interdisciplinary and energetic approach to art and bookmaking, the show focusses on the artist's experiments with color photography. With this series, as Yokota explains, he “tried not to take pictures,” and instead sought to “draw out the physical aspect of film.” Yokota layered sheets of unused large format color film and applied unorthodox developing methods before scanning the results. Here, documentation is replaced with darkroom alchemy in order to show that the essence of photography rests not necessarily with the camera, but in film itself. Resulting in a extraordinary body of work, reminding strongly of the experimental cinema of Stan Brakhage, in the sense of it in our eyes being a perfect homage to the cutting edge work of the filmmaker. When in New York make sure to see this thrilling exhibition! [ Continue reading ]

It is no secret that Ramon Haindl is one of our favorite photographers out there and he keeps on creating beautiful work to continue being just that. We discovered the German - who also creates with mixed media and collage in his free projects - through his captures of the Berlin Philharmonic Orchestra Academy some years ago, after which he has been creating a body of work of both autonomous projects as for clients showing his relentless approach (sleeping very little) and extraordinary multiple talents. His latest series brought Haindl to the famous tracks of the Nürburgring where he shot another gem for the Lufthansa Exclusive Magazine. With a somewhat similar approach and aesthetic as that very first series we discovered, the new work shows how Ramon has grown in the couple of years that have passed: every image being nothing short of iconic. Whether he portrays the oldtimers (both cars and drivers) in shiny monochrome images or the toned down classic color palette: we love every single image of the series. [ Continue reading ]

Although we weren't overwhelmed by what was on display at the last Unseen, there were still works which impressed us in the best possible way. We loved finally seeing the 'Tokyo Parrots' in printed form, as discovering the larger-than-life 'Facades' images by Markus Brunetti, but most impressive was probably seeing the work of celebrated American photographer Todd Hido in person. For the first time in the Netherlands a solo exhibition of his work opened on the 12th of September at Alex Daniëls Reflex Amsterdam, who in turn showed a new group of works unique from the show named 'Selections From A Survey - Khrystyna's World' at Unseen.  [ Continue reading ]

On the 17th of September the Blain|Southern Berlin gallery will present a curation of new and recent photographs by the German master Wim Wenders, which will be the artist’s first exhibition in his hometown in over half a decade. The exhibition brings together images from Germany and America – the two countries that have most influenced the artist throughout his career. The title: 'Time Capsules. By the side of the road', alludes to the relationship between memory and photography, highlighting the ability of photographs to act as a medium that captures an essence of the past and preserves it for the future. Several of the works in the exhibition feature places that have long-since changed, the images themselves therefore becoming portals into lost moments or spaces, impeccably captured by the photographer. After the re-release of Wenders' incredible 'Written in the West', the exhibition forms the second important marker for the artist's diverse legacy, which stretches beyond just his work in cinema, with his still photographic work being just as inspirational (in our eyes). [ Continue reading ]