Slow → articles tagged with exhibition

Dries van Noten Inspirations Antwerp

We continue our stay in the beautiful city of Antwerp - after the latest A Magazine - where about a month ago the second 'Dries van Noten Inspirations' exhibition opened for the public in the MoMu Fashion Museum Antwerp. Last summer we wrote about the first Dries van Noten Inspirations exhibition in the Musée des Arts Décoratifs in Paris, and in February a new extraordinary peek in the mind of the Antwerp Six designer was completed in his hometown. In similar fashion as in Paris, Dries Van Noten takes the spectator on a new intimate journey into his artistic universe, revealing the singularity of his creative process which he illustrates with his various and numerous sources of inspiration captured in themes. One receives an eye opening experience into the creative space within van Noten’s mind - through photographs, videos, film clips, musical references, as well as artworks by renowned artists that have triggered the designer’s imagination throughout his life and career. The new exhibition shows some of the old themes from Paris, but feels like an all new exhibition, with a little more focus as the exhibition space is a little smaller - making it possibly an even more impressive fashion exhibition than our favorite of last year.  [ Continue reading ]

BLUEPRINT at Storefront

The impressive exhibition named BLUEPRINT, which opened on the 24th of January in the New York City-based Storefront for Art and Architecture, asks individuals from the world of art and architecture to embark on a trip of self-reflection to identify a place of origination for their work in the literal and metaphorical form of a blueprint. The fascinating curation of 50 pieces, dating from 1961 to 2013, are presented as traces willing to bring clarity to work, practice and the context in which they were created, selected by photographer Sebastiaan Bremer and Florian Idenburg & Jing Liu of design office SO-IL. With the installation which was created for the exhibition by SO-IL, BLUEPRINT leaves the gallery in a totally new organic form, totally open, but at the same time closed and fixed. Wrapped in time and in space, the Acconci-Holl façade opens its doors permanently to the works that –while present in the show by reference– are outside the gallery walls. The space looses its literal operational transparency to become a white, translucent icon of its curatorial aspirations. Rendering everything on either side as a world of shadows, the installation denies the spatial properties and the implications of the processional exit of the platonic cave towards a world of truth. [ Continue reading ]

Contact by Olafur Eliasson

In October of last year the biggest and most ambitious private museum of Paris opened its doors for the first time. The new institute named Fondation Louis Vuitton aims to become a monumental contemporary-art museum, housed in a building designed by the legendary Frank Gehry and commissioned by the LVMH director Bernard Arnault himself. In the first months visitors could tour the building, view sketches and maquettes of Gehry's design, and discover a rotating selection of artworks from the Fondation's own impressive collection. In December the very first art exhibiting was opened, featuring tremendous new work by the Danish-Icelandic artist Olafur Eliasson named 'Contact'. Like 'Riverbed', which we were lucky to visit at the end of 2014, Eliasson once again created a highly immersive world, but instead of a rocky riverbed he takes the visitor on a virtual space odyssey after which one is intermittently plunged into darkness, making the exhibition a dark opposite of his exhibition at the Louisiana Museum of Modern Art. [ Continue reading ]

Riverbed by Olafur Eliasson

Since this summer the Humlebæk-based Louisiana Museum of Modern Art hosts the first solo exhibition of the Danish-Icelandic artist Olafur Eliasson. The main work on display in the extraordinary museum 30 kilometers away from Copenhagen which was exclusively created by Eliasson features an incredible giant landscape unfolded throughout the South Wing of the museum which he named 'Riverbed'. Although the radical work hints to grotesqueness in its core, from the moment when we were finally able to see it with our own eyes yesterday, we can only underline what everyone has said before us: walking through the 'Riverbed' is truly a tremendous experience. If in the position we highly recommend to visit the work before it closes on the 4th of January. Eliasson’s exhibition questions the meaning and experience of the museum itself, and the complexities of the relationship between the artist, building, and viewer. By exploring the process of inhabiting space, Eliasson focuses the visitor’s attention on the art itself by encouraging the visitor to explore the landscape. Thus, the visitor is both at the exhibit and actually on it: living the artist's mantra Contact is Content. [ Continue reading ]

All In — Buying Into the Drug Trade

Running for one more week in the Los Angeles-based Little Big Man Gallery: the extraordinary show named 'All In – Buying Into the Drug Trade’ by British photographer Graham MacIndoe, his first solo exhibition in the USA. Each image from the show is a variation on a single object: a small glassine heroin bag stamped with an exotic or bleakly satirical brand name, all collected by MacIndoe when he was an addict. Enterprising dealers brand and market their product like entrepreneurs in any business, with references to popular culture: Twilight, Crooklyn, New Jack City, and nods to consumer aspirations: First Class, Rolex, Obsession. The logos stamped on the baggies range from the conceptually clever to the knowingly ominous, like Dead Medicine paired with a skull and crossbones. MacIndoe’s own obsessive nature – as a photographer and a recovering addict – underscores the repetition of the images, all perfectly lit and precisely composed. But the now empty baggies are devoid of the emotional chaos of addiction; the photos are clinical and detached, almost aestheticized, yet still carry the residue of a former life in their stains and ragged edges. [ Continue reading ]

Sonic by Hedi Slimane

Last Thursday, on the 18th of September, the exhibition named 'Sonic' opened in the Paris-based Fondation Pierre Bergé-Yves Saint Laurent. It takes a look at 15 years of Hedi Slimane's photographic musical archives, ranging from London to New York, with particular focus on the beautiful Californian cycle begun in 2007, from which came 'California Song', the exhibition at the MOCA / Museum of Contemporary Art in Los Angeles in November 2011. In 'Sonic' studio portraits of highly influential and heroic rock figures like Lou Reed, Keith Richards, Pete Doherty, Amy Winehouse and Brian Wilson, stand alongside images of alternative scenes from London or California. The exhibition is completed with a video installation, juxtaposing the musical cycles of London (2003-2007) and California (2007-2014) in a documentary style, painting an alternative portrait of two generations of performers and their fans. This combination of two worlds; that of the icons of rock and roll and on the other side the rock and roll to be found in everyday life, exemplifies Slimane's unique creative vision and masterful observations from which all his work, whether as Artistic Director in fashion or as a photographer, stems. Make sure to visit whenever in Paris! [ Continue reading ]

Culture Chanel — DDP

On the 29th of August a new inspirational Culture CHANEL exhibition opened, the successor of the exhibition in Paris last year, this time in the highly impressive Dongdaemun Design Plaza in Seoul, Korea. Each of the exhibition's ten sequences, which were curated by Jean-Louis Froment, acts as a particular landmark in Mademoiselle Chanel's life story. More than 500 pieces including photographs, books, objects, manuscripts, archives and artworks along with fashion, jewelry, watch and perfume creations retrace the life story of the legendary designer who left an enduring mark on her time. In a stunning and therefore very fit context the exhibition retraces the fascinating adventures of the designer and her brand whose language undeniably still is synonymous with modernity and creativity. [ Continue reading ]

House Industries x Richard Sachs

Last Friday marked the grand opening of the beautiful Richard Sachs exhibition which was designed by House Industries at the Rapha Cycle Club NYC, and will run for the upcoming month. The inspirational exhibition walks through the bicycle builder’s personal industrial revolution from his early days as an apprentice to becoming a modern folk hero in the cycling community. The show highlights the balance of tradition and innovation with which Sachs has built a loyal following and profoundly influenced cycling culture worldwide. House Industries, an internationally-recognized graphic, product and type design firm, has been a long-time supporter of the Richard Sachs program and therefore makes for the perfect partner of this inspirational overview. [ Continue reading ]

Nucleo Retrospective: Manifesto

From March 26th to May 6th 2014 the first retrospective on the art and design collective led by Piergiorgio Robino, Nucleo, named 'Manifesto' took place in Parisian Hôtel de Galliffet. The exhibition was conceived and realised by the Nilufar Gallery of Milan, and curated by Elena Giulia Abbiatici and Melania Rossi. It was set up under the 'Promises of Art' program, which aims to promote young talents from the ultra-contemporary Italian art scene. Manifesto tells the story of the highly creative collective and its assertions. A thought which translates into action, a meeting at the peak of artisanal and artistic research. Nucleo's work is simultaneously material and conceptual: molded by many hands, it has the ambition to combine three forms of knowledge: theory, practice and production (theoria, pràxis e poiesis). [ Continue reading ]

Amsterdam! by Ed van der Elsken

Since the 6th of June the beautiful exhibition 'Amsterdam! Ed van der Elsken, oude foto’s 1947-1970' is running in Het Stadsarchief Amsterdam, the museum attached to the Municipal Archive of Amsterdam. The exhibition coincides with the reprint of the book of the beautiful series which originally was published in 1979. At that time it was a powerful collaboration between the great and famous photographer and the just as great graphic designer Anthon Beeke, making it rather a classic made out of Dutch excellence, which over the last decades had been out of print and sought after. At the time of the original release, the two greats created a new kind of visual communication, which gained them a lot of praise, showing the city of Amsterdam in the course of those decades in all its diversity to a worldwide audience. [ Continue reading ]

Love on the Left Eye

Running only a couple more days in the Tokyo-based Taka Ishii Gallery: the beautiful exhibition named 'Love on the Left Eye' by 74-years old Japanese photographer Nobuyoshi Araki. The exhibition, Araki’s twenty-first with Taka Ishii Gallery, consists of 65 prints which have been selected from the photographer’s most recent work. The title of the exhibition refers to possibly the most famous Dutch photographer Ed van der Elsken’s 1954 book 'Love on the Left Bank.' When Araki was around twenty years old, he saw 'Love on the Left Bank,' and from a continued inspiration he now took photographs of women in poses inspired by the work of van der Elsken. 'Love on the Left Eye' therefore can be seen as an homage to van der Elsken, but also shows a very personal side of the Japanese photographer. Since October of last year, Araki has been largely unable to see out of his right eye due to a retinal artery obstruction, which is reflected directly in the right side of the photographs which are blacked out with magic marker. [ Continue reading ]

Dries van Noten Inspirations

We highly recommend the inspirational exhibition 'Dries Van Noten Inspirations' in the Musée des Arts Décoratifs in Paris after visiting it last weekend. It is the very first exhibition devoted to the artist’s work and the broad field of inspirational sources for the designer of the Antwerp Six, making it an multidisciplinary feast for the senses. Dries Van Noten takes the spectator on an intimate journey into his artistic universe, revealing the singularity of his creative process which he illustrates with his various and numerous sources of inspiration. One receives an eye opening experience into the space within van Noten's mind or rather soul, bringing together the designer's men’s and women’s collections with iconic pieces from the museum’s fashion and textile collection. The show also includes photographs and videos, film clips, musical references, as well as artworks by renowned artists, from public and private collections, that have triggered the designer’s imagination throughout his life and career, making it one of the more extraordinary fashion exhibitions created till date. [ Continue reading ]

UMBRA by Viviane Sassen

On the 8th of March the Rotterdam-based Nederlands Fotomuseum opened Viviane Sassen’s exceptional photographic project titled UMBRA. We have been a fan of Sassen's work for a long time now and love this particular collaboration with the Dutch museum. Especially for the Nederlands Fotomuseum, Sassen has made a new series of works that focus on the play of light and shadow, a very characteristic element that runs through all of her work. Sassen supplements this series with previously unseen images from her archives. UMBRA, which translates to 'shadow' in Latin, presents Sassen’s autonomous work in a kaleidoscopic exhibition in which shadow is often a metaphor for the human psyche. [ Continue reading ]

Philip-Lorca diCorcia exhibition

We really look forward to the first major European exhibition of work by the American photographer Philip-Lorca diCorcia at De Pont in Tilburg starting the 5th of October 2013 in a collaboration with the Schirn Kunsthalle Frankfurt. DiCorcia who was born in 1951 in Hartford, Connecticut and can be seen as one of the most influential contemporary photographers. The photographer first came to prominence in the 1970s with photographs that defied definition, existing in the space between documentary fact and movie-style fiction. The meticulous staging of quotidian scenes of family and friends lent the photographs of diCorcia an unparalleled sense of heightened drama and ambiguity.  [ Continue reading ]

n°5 Culture Chanel

Chanel n°5 first saw day in 1921 within a highly dynamic creative context. Since the Cubist revolution brought about by Picasso’s Demoiselles d’avignon, in 1907 and the advent of Futurism in italy in 1908, the avant-garde ceaselessly went about writing a particular modernity which would finally triumph at the dawn of the 1920s. From that moment abstraction spanned all forms of creativity, equally inspiring art, poetry, literature and music, and the fragrance of this new perfume which evoked a very mysterious flower, unless of course it didn’t firstly evoke a woman. [ Continue reading ]