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We really like the most recent collaboration by the ever-inspiring publisher and producer of artworks CASE STUDYO, this time with regular collaborator Dutch artist Parra. With the sculpture named ‘Cold’, the Amsterdam-based artist once again translates his unique signature curved post-pop imagery into a beautiful porcelain sculpture. A surreal and hybrid character of a female birdlike creature with hands around the legs looking for warmth. The eye-catching sculpture comes in a screen printed wood box with a signed and numbered certificate of authenticity by the artist, making it another signature high quality addition to the already great catalogue of CASE STUDYO. read more…

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From March 26th to May 6th 2014 the first retrospective on the art and design collective led by Piergiorgio Robino, Nucleo, named ‘Manifesto’ took place in Parisian Hôtel de Galliffet. The exhibition was conceived and realised by the Nilufar Gallery of Milan, and curated by Elena Giulia Abbiatici and Melania Rossi. It was set up under the ‘Promises of Art’ program, which aims to promote young talents from the ultra-contemporary Italian art scene. Manifesto tells the story of the highly creative collective and its assertions. A thought which translates into action, a meeting at the peak of artisanal and artistic research. Nucleo’s work is simultaneously material and conceptual: molded by many hands, it has the ambition to combine three forms of knowledge: theory, practice and production (theoria, pràxis e poiesis). read more…

With his installation titled ‘Boreal Halo’ in Paris’ Carreau du Temple, artist Vincent Leroy pulls us into his imaginary world. As featured on Designboom

Beautiful work: The made-up flags by Brazilian artist and illustrator Mariana Abasolo on It’s Nice That.

A magazine about emerging trajectories in art, science, and technology (via HOLO.) The first publication of Creative Applications Network.

Why SAINT LAURENT Invitations Are Extremely Collectible Art Editions – as shared on 032c.

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‘Cy-collage’ was the great pop up exhibition by the London-based collective Colectivo Futuro during last Spin London. Housed inside the iconic Old Truman Brewery building on Brick Lane, the exhibition featured works from both International and local, London-based, artists, most of which had been previously featured in the inspirational colectivo futurist series on their online platform. Each artist was commissioned to interpret cycling through the use of collage as a technique. In the eyes of Colectivo Futuro, like the act of cycling, a collage piece is made up of carefully assembled parts that harmoniously fit together to achieve their purpose, which resulted in beautiful raw works with a somewhat punk aesthetic. The unique and limited pieces by the artists are from now on for sale through Colectivo Futuro’s webstore. read more…

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Julien Rademaker is one of those people who has successfully translated his love for collecting into a personal blog project named Gevonden op Marktplaats, which gathered a large following rather quickly, making it the most-desirable location on the internet for every Dutch seller to be mentioned on. Julien uses his platform to showcase an ongoing curation of rare and stand-out furniture, objects, art, and other curiosities that he spots on Marktplaats, which is the Dutch equivalent of Ebay. As the digital world still quite lacks the aura of the materialized world, Julien has stretched the horizon of his project once again, after doing his first live event ‘Spullen wear we ninks vanaf weten’ in December 2012, together with architect Samir Bantal he now presents: ‘De Gevonden op Marktplaats-Salon’ taking place the 5th until the 8th of June. Where in 2012 Julien and Samir only did a small exposition/sale of curated goods, the two friends now will fill up a large space on the Looigersgracht 60 in Amsterdam, which they arranged in different thematic areas or rooms; from baroque, Memphis Milano to Hollywood Regency. read more…

GROTESK x CASE STUYDO release “SNOW BEACH”, a sculpture as an homage to this fascinating subculture and the only city that could have given birth to it, and a tribute to one of the greatest MCs to ever pick up the mic. Designed to be “as minimal and crisp as a POLO windbreaker,” each piece comes enclosed in a wooden “Ralf Grotesk” sarcophagus to protect it from dust, snow, the beach, and whatever corrosive elements lurk in New York City and beyond.
Grotesk “Snow Beach”

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On the 8th of May the Toronto-based gallery Narwhal opened an extensive solo exhition of The Godfather of Japanese Eroticism, Toshio Saeki. His beautiful but at the same time sometimes repulsive artwork draws from the basement of a collective subconscious, depicting universal taboos through surreal narratives and dark humor. Filtering imagery from his photographic memory and childhood experiences through imagination and dreams, Saeki splits open a universally erotic world where iconic characters subject themselves to grotesque behaviors staged within traditional Japanese environments. read more…

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On the 23th until the 25th of May, the remote and beautiful surroundings of Ireland’s Inis Oírr, will welcome the return of Drop Everything, a free contemporary culture Biennial, for its second edition. Situated on the edge of the Atlantic and close to Galway, Inis Oírr is the smallest of the three Aran Islands and provides an unforgettably atmospheric and unique setting for this intimate weekender of creativity and culture. Visitors to the island can expect talks, installations, screenings, DJ sets and impromptu pop-ups across the island, as well as communal dining, a curated boutique of editions and products created by the collaborating artists and ample opportunity to explore the wild beauty of this tiny and remarkable place. read more…

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On the 1st of May graphic artist Andy Rementer returned to New York City-based gallery Mondo Cane, with his third solo show of new and previously un-shown paintings and drawings. The ‘Meet Me Later’ series transports the spectator to seemingly familiar street corners, domestic situations and subway platforms populated by characters caught in frozen moments of furtive activity. The work has a timeless quality which seems to draw from influences as diverse as Léger, The Italian Renaissance and even the narrative economy of Raymond Carver. Ambiguous narratives connect the work, while the spirit of Rementer’s work, with his familiar high key colors in the paintings, bold decorative patterns and the familiar but odd characters which interact in unexpected and often humorous ways with the surroundings in which Rementer has placed them.  read more…

Flowers! Suspended floral installations by Rebecca Louise Law on ‘I need a guide’

Beautiful sculptures by Thierry Martenon, as featured on OEN.

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We are still amazed by the latest work of New York-based Australian artist Ian Strange for the 2014 Adelaide Biennial of Australian Art at the Art Gallery of South Australia, within the “Dark Heart” theme. The pitch-black site specific public installation is the structural recreation of the artist’s own 1920’s suburban-style home in Australia. Positioned on the forecourt of the gallery, the amazing ‘Landed’ has seemingly fallen from the sky breaking the surface of the ground it sits on, heavily juxtaposing the neo-classical composition of the museum. At the same time the iconoclastic work materializes the familiar post-modern theme of isolation, heavily experienced in suburban picket-fence-dominated landscapes, which for one is a theme one finds in the work of people like David Lynch to which this work seems to refer to, next to the inspiration Strange found in The Wizard of Oz. We love both execution and concept of this beautiful work by Strange and applaud the gallery for its boldness in accepting a project of this kind. read more…

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In 2010 the Los Angeles-based architect Robert Stone finished his creation of something spectacular and totally unexpected on the fringes of the Joshua Tree National Park, boasting with every ingredient to amaze its spectator. Down a lonely stretch of dirt road Stone constructed this crazy amazing property, next to the sister project in all-black Rosa Muerta or ‘dead rose’, which both clearly show the architect’s unique courage and vision and possibly even megalomania, as some have argued. With a very surreal aesthetic the project that was named Acido Dorado, which translates to ‘golden acid’, is a glamorous larger-than-life golden palace that shimmers like a mirage and transforms inside and out throughout the day, with the changing light exemplifying the intrinsic quality of every noble metal: to shine brightly. read more…

‘Google, Volume 1′ is a visual statement showcasing all the first images that popped up on google image search for all dictionary words. By by King Zog at Jean Boîte Éditions.

Fabian Oefner’s crazy beautiful artworks, the Fire Sculptures, as shared on Designboom.

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His latest exhibition closed days ago at the Brooklyn-based Kunsthalle Galapagos, but we still love the ninth and former solo-exhibition ‘No Blue Skies’ by New York City-based artist Eric LoPresti, which took place at the same gallery little over a year ago. The artist’s abstract landscapes are fascinating investigations into the ‘apocalyptic sublime’. Whether rendering nuclear test sites, aerial views of the scarred desert of eastern Washington State where he grew up, or ominous undisclosed explosions across a region’s expanse, LoPresti’s environments are ones of man-made disruption. In the paintings, LoPresti continues his use of the color field gradient to represent another landscape in transition. With as the main eye-catcher a 15-foot canvas of an ominous dust cloud, ‘No Blue Skies’ presents the terrifying, exhilarating moment when the shock of circumstance blinds us to both past and future. read more…

About two weeks ago, Los Angeles based artist Wes Lang came to Aarhus to set up his very first solo show in the framework of a museum. Check out this nice portrait on I Do Art.

Wes Lang, “The Studio”. From the 29th of March to the 7th of September 2014, ARoS Aarhus Museum of Art in Aarhus, Denmark.