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X by Adam Jeppesen

On the 10th of May the second solo exhibition of the greatly talented, and one of our favorites at this moment, photographic artist Adam Jeppesen opened at the Brussels-based Galerie van der Mieden. As with his earlier series 'The Flatlands Camp Project', the series named 'X' is also based on his journeys around the world, in which the Danish photographers takes the traditions of travel photography to new grounds. In his new series Jeppesen has worked with photogravure, wanting to explore the possibilities of further evolving this graphic side of his work. The motives in this series of photogravures stay completely anonymous, every context of place and time is stripped by the artist. Deserted landscapes that are neutral and empty, cold mountains and desserts, located somewhere between documentary and dream, which makes it possible for the viewer to create a personal imagination about the place. Jeppesen’s very private journeys become potentially universal. [ Continue reading ]

Adam Jeppesen

Copenhagen-based photographer Adam Jeppesen's work challenges the boundaries between documentary and fiction. He is seen as one of the greatest talents in contemporary Danish photography, and we discovered his work during the last Unseen Photo Fair, after which Jeppesen's work by far resonated the most. His photographs inhabit a blurred territory where the real and the fictional become interchangeable. Even if the Danish artist seems to remain faithful to what is in front of his camera, he doesn’t seem to be too concerned about objectivity. The highly impressive work we saw at Unseen was part of the The Flatlands Camp Project. A series of work, recorded on a journey from the Arctic through North and South America to Antarctica. For 487 days Jeppesen travelled in solitude and from this long journey a series of melancholic, evocative landscape pictures have emerged. [ Continue reading ]

Everybody Knows, Nobody Knows

We continue to stay in Japan, bringing you another Japanese artist whose exceptional work we recently discovered - in this case through a feature by the always inspirational Phases Magazine. Although the excellently curated platform almost always succeeds in curating captivating imagemakers, the work of photographic artist Yuichiro Higashiji stands out in the most subtle way possible. Reminding us strongly of the work of another photographic imagemaker which we hold in the highest esteem; Adam Jeppesen, the Japanese photographer's works from the principle of reproducing his images to the point of fading. In this proces a fascinating dynamic is instilled through which his - in the case of his 'Everybody Knows, Nobody Knows' series - grainy black and white representations come to life and fade away, almost mimicking the way affect and memory are sometimes stimulated in the brain. As a result the series of images by Higashiji become their own profound kind of projection on anyone who takes the time to really indulge in the images. [ Continue reading ]