Lisbon-based publisher Pierre von Kleist is one of the creative platforms that we have had a love affair with from the moment when we first discovered their incredible publications. They say love fades over time, but Pierre von Kleist has consistently published top notch projects during the few years that we've been following them, making it safe to say that we feel no different than years ago. Their latest publication, that has been released last week, is named 'Concrete Octopus' and takes off where renown Japanese photographer Osamu Kanemura´s 2002 acclaimed 'Spider's Strategy' left. For the first time, Pierre von Kleist teamed up with Tokyo-based publisher Osiris to create the beautiful new publication with new moody black and white work done between 2011 and 2013. As Kanemura's familiar dark film noir alike signature runs through every page of the book, it fits perfectly that  film critic Chris Fujiwara was given the chance to write the accompanying text included in the book.

It would be strange and misleading, though obviously not wholly inaccurate, to call these photographs “images of the Japan of the present time.” Though they might perhaps have much to say to the social historian, their documentary function is circumscribed by the interest in exploring a visual universe too disunited and incomplete to be recognizable as a cultural or historical form. In these images, the world presents itself with great purity and without provocation or seduction, as though poised in the interval before the repetition of an already forgotten catastrophe. We can't stop gazing at these new mysterious set of images, which underlines both the immaculate eye of Kanemura and the fact that next to being a publisher, Pierre von Kleist has transformed into a label of utmost quality, with everything they put out being deeply inspiring.  [ Continue reading ]

We have been great admirers of the Lisbon-based publisher Pierre von Kleist editions for years and the latest release from the hands of its founder, photographer André Príncipe, named 'You´re Living for Nothing Now (I hope you´re keeping some kind of record)' is another instant favorite ours, following his extraordinary 'Tokyo Diaries' from 2014. The new title is Príncipe´s take on the I-novel, it is a personal account about how it felt to be alive between 2009 and 2013, translated to his photography. With its Leonard Cohen line´s title, the book forms Príncipe´s most ambitious work to date, organized in three books designed to be autonomous but together forming the complete narrative. The classical music score format of his earlier books is revisited and this time the images center on his struggle with marriage, living in Lisboa, spending time in China, Turkey, Japan, Paris, London and other places. Influenced by sufi and buddhist ideas. 'You´re living for nothing now' is a compendium of gestures, a modern mandala, an elegy of the ephemeral in the tradition of Ed van der Elsken, Henry Miller, and Jonas Mekas — making the publication another extraordinary addition to the catalogue of the inspirational folks at Pierre von Kleist. [ Continue reading ]

With a short but wonderful stay in beautiful Portugal coming to an end, we present the latest by one of our favorites from the country: Lisbon-based publisher Pierre von Kleist editions. The relatively small publishing house continues to release incredible additions to their highly focussed catalogue, making the company an inspirational example for the practice of publishing in the contemporary climate - releasing only publications of the highest quality, in limited runs. Their latest release is named ‚Rua Stan Getz’ and features the work of Portugese photographer André Cepeda, who released 'Rien' with the same publisher three years prior to this one. In the year 'Rien' was released, Cepeda spent three intense months in São Paulo, exploring and photographing the city, while reevaluating the very nature of his practice - resulting in this incredible warm series created from an open and sensitive perspective, showing the great talent of the photographer. [ Continue reading ]

The latest by inspirational Lisbon-based publisher Pierre von Kleist editions brings us back to Japan. After releasing the beautiful 'Japan Drug' by António Júlio Duarte in May now follows another tremendous grainy black and white photographic book by the name of 'Tokyo Diaries'. In 2009 André Príncipe, the co-founder of Pierre von Kleist editions, and filmmaker Marco Martins travelled to Tokyo to shoot a film about elliptical narratives and the importance of the diaristic practice in Japanese photography. During one month and in a totally improvised way, the filmmakers shot hours of 16mm footage and thousands of photographs of their daily life as well as their encounters with photographers such as Nobuyoshi Araki, Daido Moriyama, Takuma Nakahira, Hiromix, Kohei Yushiyuki and Kajii Syoin. The film which was the result of this trip: 'Traces of a Diary' was subsequently shown in film festivals around the world and received the jury prize at Documenta Madrid. And now the amazing book which was created out of the 100 rolls of Tri-X 400 film which remained unused  brings the essence of the beautiful trip back to printed still images. We love the character which the images transcend, capturing a dynamic energy within a highly inspirational generation of Japanese photographers perfectly. [ Continue reading ]

We really like the latest by the Lisbon-based publisher Pierre von Kleist editions. The book named 'Japan Drug' by António Júlio Duarte features moody, grainy black and white photographs portraying urban Japan in a very anonymous and isolated fashion. The images were taken 17 years ago when the Portuguese photographer visited Japan all by himself. It was a time, with the insecurities evoked by the new millennium ahead becoming apparent, but above all a period in time in which both economical and technological perspectives seemed endless. Looking back a lot has changed over the years that have past, with sentiments all over the globe becoming more and more sombre. A sombreness which already speaks through the imagery of António Júlio Duarte as if the photographer then already felt that times wouldn't stay the same, and therefore the right time to share his images was right now. [ Continue reading ]