At the end of last year, the highly remarkable series named 'Bomba', shot by the very talented American photographer Thomas Prior, has been presented as a beautiful book by Dashwood Books, which turned out into one of the more interesting releases we have seen recently. 'Bomba' takes the viewer to the Mexican town of San Juan de la Vega, where every February its people gather together to commemorate a four-century-old battle that occurred between the town’s namesake and the area’s landowners. The story goes that Juan de la Vega, a wealthy miner and rancher, was aided by the saint in recovering gold stolen by bandits. Residents took up exploding sledgehammers to commemorate the victory over the thieves. And so, on so-called 'Fat Tuesday', in the middle of a football pitch in the town, packets of fertilizer and sulfur explode into clouds of dust and shrapnel. Today the tools are reinforced with rebar, and the celebration features blasts but now more flying hammer heads. Hundreds of local men strap homemade potassium chlorate fertilizer-based explosives to the heads of sledgehammers and slam them against the lengths of steel rail.

The isolation Thomas has achieved in the imagery, emphasizes the danger and violence of the peculiar tradition. With the clouds of phosphorus smog surrounding each of the men, the subjects are erupting out the cloud, with the rest of the background misted out erasing all kind of context. This could be a scene out of a war if one wouldn't know better. The result is an ambiguous surreality within the series -and the festival as a whole- as it’s still not totally clear where this salute to Juan de la Vega originally derived from, which makes it a series we can't take our eyes from. [ Continue reading ]

Brought to our attention last month by Nowness, we are smitten by the incredible photographic series and accompanying video named 'Blast' in which visionary photographer Jim Mangan has caught rally car driver Ken Block sublimely. In August 2013, Mangan asked his friend Block to demonstrate his skills at the wheel for a photo project. His idea was to photograph clouds of dust in mountainous southern Utah a rugged desert area he’d explored dozens of times while camping and mountain biking and the kind of arena where the photographer has proven to produce his most remarkable images. To achieve his vision of hybridizing landscape and machine, Mangan needed someone with the daring and a car with the power to wreak havoc on the remote landscape and send trailing puffs of dirt into the air. The two finally got together last year for several days of shooting in the valleys extending some 74 miles between Capitol Reef National Park and Goblin Valley, Utah. The results are incredible. [ Continue reading ]