At a moment when the world is facing the world’s largest refugee and migration crisis since the Second World War, the latest deeply inspirational publication by Irish photographic artist Richard Mosse named ‘Incoming’, deals with this contemporary major humanitarian and political plight, the displacement of millions due to war, persecution and climate change. With illuminating texts by Mosse and the philosopher Giorgio Agamben, the 576-page book, published by the ever-inspirational MACK Books, combines film stills from the artist’s latest video work made in collaboration with electronic composer Ben Frost and cinematographer Trevor Tweeten – a haunting and searing multi-channel film installation, accompanied by a visceral soundtrack. Journeys made by refugees and migrants across the Middle East, North Africa, and Europe are captured with a new weapons-grade surveillance technology that can detect the human body from 30.3km. Blind to skin color, this camera technology registers only the contours of relative heat difference within a given scene, foregrounding the fragile human body’s struggle for survival in hostile environments, resulting in imagery that leaves an everlasting impression on us.
Richard Mosse’s ‘Incoming’ marks a highly inspirational new chapter in the body of work of the photographic artist in which he tackles another extremely relevant thematic in a haunting artistic form that is among the most interesting being produced in this day and age.
As Richard Mosse writes in his essay:
The camera carries a certain aesthetic violence, dehumanising the subject, portraying people in zombie form as monstrous, stripping the individual from the body and portraying a human as mere biological trace.
Alluding literally and metaphorically to hypothermia, mortality, epidemic, global warming, weapons targeting, border surveillance, xenophobia, and the ‘bare life’ of stateless people, Mosse’s use of a military telephoto camera serves as an attempt to reveal its internal logic – to see the way missiles see.
Following the narrative sequence of the film that was part of the exhibition of the body of work in London’s Barbican Centre, the book presents still frames from footage of a live battle inside Syria in which a US aircraft strafes IS positions on the ground, to scenes showing refugees boarding rescue boats off the coast of Libya or gathered along the shores of Turkey under cover of darkness, or making the dangerous journey through the Sahara Desert, and the burning of the Jungle refugee camp. Like the film, the artist’s book bears witness to chapters in recent world events – mediated through weapons camera technology – while also shedding light on the ethical, technological, logistical and aesthetic issues involved in creating this major new work.
Richard Mosse was born in 1980 in Ireland. He earned an MFA in Photography from Yale University, a PG Dip in Fine Art from Goldsmiths, London, an MRes in Cultural Studies from the London Consortium, and a first class BA in English Literature from King’s College London. Mosse represented Ireland at the 55th Venice Biennale with The Enclave, for which he was awarded the Deutsche Borse Photography Prize (2014), amongst a list of other prizes and laureates.
A body of works related to the video piece and titled Heat Maps has been shortlisted for the 2017 Prix Pictet. Mosse has exhibited widely. The list of museums that have shown his work include Louisiana Museum of Contemporary Art, the Nasher Museum, MIT, MCA, MoCP, Montreal Museum of Fine arts, Irish Museum of Modern Art, Portland Art Museum, Kunsthalle Munich, Nelson Atkins Museum of Art, Palazzo Strozzi, Reykjavik Art Museum, Bass Museum, the Kemper, FOAM, the Photographers Gallery, Akademie der Künste Berlin, National Gallery of Victoria, and the University of New South Wales. He lives in New York City.
For more work by Richard Mosse see here